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When Mark hears the urban myth about the dietary habits of the new kid in school, the last thing he wants is to be invited round to dinner. His worst fears are realised when he has to endure a three-course meal at the Campbell family residence.

A farce based on Arthur Wing Pinero's play 'The Magistrate' in which the son (John Mills) of a stern magistrate (Will Hay) visits a music hall against the wishes of his father. In true farcical style, the magistrate too ends up at the music hall, and before long all the characters are trying not to avoid each other... Mainly notable (a) because of its depiction of the music hall as seen by a generation which knew it intimately (b) because of its use of music hall acts of the time and (c) because it gave Will Hay his first film role.

A harrowing portrait of the struggle for school desegregation in New Orleans against the violent protests of white parents.

At a family gathering, an elderly man reflects on the follies of his youth during his freshman year at college.

1918. Anxious in Petrograd. Increasingly compressed around the revolutionary city of the enemy ring. Go to the front working shelves. The struggle against the enemies of Soviet power is not only on the outskirts of the city, but also in the rear. In this harsh and difficult time for the revolution by the will of the Bolshevik party on the outskirts of the workers created Komsomol organizations. The first to join the young Communist League, young workers — Stepan Barabash, Alexander Chizhik, Glasha, Kuzma. After some hesitation and deliberation, members of the Komsomol be a peasant boy, Theodore, who came from a remote village to work in Peter and the schoolboy Zhenya Gorovskoe. In the days of intense fighting young patriots together with the troops of the working guard sent to defend Petrograd

In 1975, Hoa Thi Le and Hue Nguyen Che fled from Vietnam by boat and docked in the Philippines, where they were utilized as background extras during the filming of Apocalypse Now.

Based on the novel by the same name, We Were the Mulvaneys is a sensitive portrayal of one family's journey as they face conflict, fear, tragedy and ultimately, themselves.

This short film was created by a group of Indigenous filmmakers at the NFB in 1972 and is essentially a song by Willie Dunn sung by Bob Charlie and illustrated by John Fadden: "Who were the ones who bid you welcome and took you by the hand, inviting you here by our campfires, as brothers we might stand?" The song expresses bitter memories of the past, of trust repaid by treachery, and of friendship debased by exploitation upon the arrival of European colonists.

Richard Dormer narrates this nostalgic documentary series that delves into the BBC archives to reveal the changing face of life in Northern Ireland.